The Kembar Mayang Dance as a Legitimacy for Father Yoso Sudarmo in Tutup Ngisor Hamlet, Magelang Regency

2016, Journal Article, https://www.academia.edu/101027081/Tari_Kembar_Mayang_Sebagai_Legitimasi_Romo_Yoso_Sudarmodi_Dusun_Tutup_Ngisor_Kabupaten_Magelang?sm=b&rhid=38489645256 This study focuses on the Kembar Mayang Dance, a form of legitimacy for Father Yoso Sudarmo in Tutup Ngisor Hamlet, Sumber Village, Dukun District, Magelang Regency. It examines the elements of legitimacy for Father Yoso Sudarmo as the dance's creator. This study aims to uncover the performance form of the Kembar Mayang Dance as a form of legitimacy used at the opening ceremony of the Suran Tradition, which is sacred to the people of Tutup Ngisor Hamlet. The creation of the Kembar Mayang Dance is based on the role of Father Yoso Sudarmo. A cultural approach was used to uncover the problem from various aspects. The research steps utilized data collection techniques through literature review, observation, and interviews, which can help solve the problem. The results indicate that the Kembar Mayang Dance was created based on the creative ideas and ideology of Father Yoso Sudarmo in Tutup Ngisor Hamlet, Sumber Village, Dukun District, Magelang Regency, to legitimize himself as a respected elder in Tutup Ngisor Hamlet. The ritual involves two stages: preparation and implementation. The preparation stage includes purifying oneself with a grand bath and visiting the grave of Father Yoso Sudarmo. The ritual stage occurs when the Kembar Mayang Dance is performed as one of the main events in the Suran Tradition. In fact, the Kembar Mayang Dance can be enjoyed by the wider community as a form of offering dance in a sacred event, as a form of warding off disaster and protecting the people of Tutup Ngisor Hamlet from all disasters.